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“Twilight Zone” Web-TV Satire Takes Off

“Twilight Zone” Web-TV Satire Takes Off

by Charlie Wachtel | September 12, 2011

What if “The Twilight Zone” were actually this place we call “Hollywood?” This is the focus of a new web series called “The Thirty Mile Zone,” a satire on the entertainment industry which is geared towards Hollywood professionals.

Weekend Box Office Estimates – May 27th-30th

by Charlie Wachtel | May 31, 2011

TW
LW
Title (click to view)
Studio
Weekend Gross
% Change
Theater Count / Change
Average
Total Gross
Budget*
Week #

1
N
The Hangover Part II
WB
$86,035,000
-
3,615
-
$23,799
$117,645,000
$80
1

2
N
Kung Fu Panda 2
P/DW
$47,835,000
-
3,925
-
$12,187
$53,635,000
$150
1

3
1
Pirates of the Caribbean: On Stranger Tides
BV
$39,592,000
-56.1%
4,164
+9
$9,508
$153,187,000
$250
2

4
2
Bridesmaids
Uni.
$16,550,000
-20.7%
2,958
+21
$5,595
$85,157,000
$32.5
3

5
3
Thor
Par.
$9,400,000
-39.2%
3,296
-628
$2,852
$159,745,000
$150
4

Weekend Box Office Grosses May 20th-22nd

by Charlie Wachtel | May 28, 2011

TW
LW
Title (click to view)
Studio
Weekend Gross
% Change
Theater Count / Change
Average
Total Gross
Budget*
Week #

1
N
Pirates of the Caribbean: On Stranger Tides
BV
$90,151,958
-
4,155
-
$21,697
$90,151,958
$250
1

2
2
Bridesmaids
Uni.
$20,882,070
-20.4%
2,937
+19
$7,110
$59,341,310
$32.5
2

3
1
Thor
Par.
$15,455,304
-55.5%
3,924
-39
$3,939
$145,361,459
$150
3

4
3
Fast Five
Uni.
$10,576,865
-48.3%
3,622
-171
$2,920
$186,165,450
$125
4

5
4
Priest
SGem
$4,750,041
-68.2%
2,864
-
$1,659
$23,833,169
$60
2

“Cuddle Club” Trailer Goes Viral

“Cuddle Club” Trailer Goes Viral

by Charlie Wachtel | May 28, 2011

A shot-for-shot trailer parody of “Fight Club” is blowing up on the web. Check it out here.

Weekend Box Office May 13th-15th

by Charlie Wachtel | May 27, 2011

TW
LW
Title (click to view)
Studio
Weekend Gross
% Change
Theater Count / Change
Average
Total Gross
Budget*
Week #

1
1
Thor
Par.
$34,703,035
-47.2%
3,963
+8
$8,757
$119,455,352
$150
2

2
N
Bridesmaids
Uni.
$26,247,410
-
2,918
-
$8,995
$26,247,410
$32.5
1

3
2
Fast Five
Uni.
$20,444,270
-37.0%
3,793
+131
$5,390
$169,690,470
$125
3

4
N
Priest
SGem
$14,953,664
-
2,864
-
$5,221
$14,953,664
$60
1

5
5
Rio
Fox
$8,275,058
-2.7%
2,929
-329
$2,825
$125,243,198
$90
5

Wednesday Box Office

by Charlie Wachtel | May 27, 2011

1
1
Pirates of the Caribbean: On Stranger Tides
BV
$4,705,903
-22%
-
4,155
$1,133
$109,053,677
6

2
2
Bridesmaids
Uni.
$2,085,270
-11%
-29%
2,937
$710
$66,478,220
13

3
3
Thor
Par.
$1,085,331
-16%
-53%
3,924
$277
$149,410,525
20

4
4
Fast Five
Uni.
$723,425
-15%
-45%
3,622
$200
$188,789,180
27

5
5
Priest
SGem
$412,916
-18%
-53%
2,864
$144
$25,325,314
13

Hungover from The Hangover?

Hungover from The Hangover?

by Charlie Wachtel | May 26, 2011

Sequels: The movies we see when we’re loyal to a franchise. AKA the movies that can sometimes sink a franchise. Todd Phillips drops the ball on what could have been a nice rebound from the original laugher.

Kevin Smith Plays Hardball at Sundance

Kevin Smith Plays Hardball at Sundance

by Charlie Wachtel | January 25, 2011

Will movies for the masses eventually be eclipsed by movies by the masses? Notoriously opinionated filmmaker Kevin Smith believes this to be the case and is looking to eliminate the middleman from the distribution process.

Weekend Box Office Estimates July 16th-18th

by Charlie Wachtel | July 19, 2010

TW
LW
Title (click to view)
Studio
Weekend Gross
% Change
Theater Count / Change
Average
Total Gross
Budget*
Week #

1
N
Inception
WB
$60,400,000
-
3,792
-
$15,928
$60,400,000
$160
1

2
1
Despicable Me
Uni.
$32,734,000
-42.0%
3,501
+25
$9,350
$118,365,000
$69
2

3
N
The Sorcerer’s Apprentice
BV
$17,373,000
-
3,504
-
$4,958
$24,461,000
$150
1

4
2
The Twilight Saga: Eclipse
Sum.
$13,500,000
-57.4%
4,001
-467
$3,374
$264,900,000
$68
3

5
4
Toy Story 3
BV
$11,742,000
-44.1%
3,177
-576
$3,696
$362,709,000
$200
5

The Inception Reception

The Inception Reception

by Charlie Wachtel | July 19, 2010

It’s easy to credit the American movie-going public with having the highest worldwide theatrical IQ of anyone in the world. Yet somehow whenever a Christopher Nolan movie hits theaters, that all seems to change. And then all of a sudden, routine movie-goers magically turn into amateur movie critics, declaring films like Inception to be the cinematic equivalent of the messiah.

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