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	<title>Comments on: Commentary Tracks: The Ubiquity and Devaluation of Director/Writer Commentary</title>
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	<link>http://www.filmcrusade.com/commentary-tracks-the-ubiquity-and-devaluation-of-directorwriter-commentary/</link>
	<description>The Battle to Save Film</description>
	<lastBuildDate>Wed, 01 Jun 2011 17:43:21 -0500</lastBuildDate>
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		<title>By: Ron</title>
		<link>http://www.filmcrusade.com/commentary-tracks-the-ubiquity-and-devaluation-of-directorwriter-commentary/comment-page-1/#comment-661</link>
		<dc:creator>Ron</dc:creator>
		<pubDate>Wed, 20 Jan 2010 23:36:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmcrusade.com/?p=1162#comment-661</guid>
		<description>I kind of disagree with this article

The author sites &quot;Eurotrip&quot; and how the director was playing a drinking game to state how director commentaries have gone down hill.  It&#039;s &quot;Eurotrip&quot; he should be playing a drinking game because his movie wasn&#039;t much more entertaining than a drinking game. 

If Ridley Scott is playing a drinking game while he is commenting on &quot;Gladiator&quot; or &quot;Matchstick Men&quot; than by all means complain about the decline of the quality of director commentaries (Ridley by the way gives some of the best director commentaries ever).

I think a lot of films that do have director commentary are usually right on the money.

I do agree that sometimes you hope the commentary will be insightful and instead you are treated to uninformative chatter.  Like anything the director commentary can be epic or a tremendous letdown.  It is almost as if you are watching a double feature because the director commentary can take the movie you just saw and transport you to new heights.  Which has happened on various experiences personally, but it can also just be dribble.

My bigger concern is with the advent of instant view on sites like Netflix what will happen to the future of these amazing inside looks into the filmmaking process.  I have called Netflix personally asking them to please put director commentary on their sites.

I think each filmmaker has the discretion to do what they will with their director commentary.  Its an opportunity for filmmakers to let their fans in and some will take the opportunity to really educate the viewers and others will play drinking games while some will abstain from the whole process not wanting to take the magic out of what you just saw.  I say to each their own!</description>
		<content:encoded><![CDATA[<p>I kind of disagree with this article</p>
<p>The author sites &#8220;Eurotrip&#8221; and how the director was playing a drinking game to state how director commentaries have gone down hill.  It&#8217;s &#8220;Eurotrip&#8221; he should be playing a drinking game because his movie wasn&#8217;t much more entertaining than a drinking game. </p>
<p>If Ridley Scott is playing a drinking game while he is commenting on &#8220;Gladiator&#8221; or &#8220;Matchstick Men&#8221; than by all means complain about the decline of the quality of director commentaries (Ridley by the way gives some of the best director commentaries ever).</p>
<p>I think a lot of films that do have director commentary are usually right on the money.</p>
<p>I do agree that sometimes you hope the commentary will be insightful and instead you are treated to uninformative chatter.  Like anything the director commentary can be epic or a tremendous letdown.  It is almost as if you are watching a double feature because the director commentary can take the movie you just saw and transport you to new heights.  Which has happened on various experiences personally, but it can also just be dribble.</p>
<p>My bigger concern is with the advent of instant view on sites like Netflix what will happen to the future of these amazing inside looks into the filmmaking process.  I have called Netflix personally asking them to please put director commentary on their sites.</p>
<p>I think each filmmaker has the discretion to do what they will with their director commentary.  Its an opportunity for filmmakers to let their fans in and some will take the opportunity to really educate the viewers and others will play drinking games while some will abstain from the whole process not wanting to take the magic out of what you just saw.  I say to each their own!</p>
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		<title>By: forex robot</title>
		<link>http://www.filmcrusade.com/commentary-tracks-the-ubiquity-and-devaluation-of-directorwriter-commentary/comment-page-1/#comment-660</link>
		<dc:creator>forex robot</dc:creator>
		<pubDate>Wed, 20 Jan 2010 09:20:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmcrusade.com/?p=1162#comment-660</guid>
		<description>Keep posting stuff like this i really like it</description>
		<content:encoded><![CDATA[<p>Keep posting stuff like this i really like it</p>
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		<title>By: Neil</title>
		<link>http://www.filmcrusade.com/commentary-tracks-the-ubiquity-and-devaluation-of-directorwriter-commentary/comment-page-1/#comment-391</link>
		<dc:creator>Neil</dc:creator>
		<pubDate>Fri, 04 Dec 2009 12:29:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmcrusade.com/?p=1162#comment-391</guid>
		<description>I tend to listen to commentaries and agree with the degree of enjoyment and frustration outlined in the article. One thing in particular that has frustrated me on various commentaries - don&#039;t wish to single one out - is when you come upon a particularly intriguing or enjoyable scene that is for some reason a standout and you can&#039;t wait to hear what the filmmaker &amp; co. have to say about it. It can be a brilliant moment for an actor or an inspired shot selection; it varies. You go to the commentary after the movie and instead of talking about it they are babbling inanely about themselves or some general point they started five minutes beforehand and is totally unrelated to what is clearly an interesting moment in the film. Or, as has  happened, they just remain inexplicably silent. Sounds a bit odd, I know, but it has driven me batty on more than one occasion.</description>
		<content:encoded><![CDATA[<p>I tend to listen to commentaries and agree with the degree of enjoyment and frustration outlined in the article. One thing in particular that has frustrated me on various commentaries &#8211; don&#8217;t wish to single one out &#8211; is when you come upon a particularly intriguing or enjoyable scene that is for some reason a standout and you can&#8217;t wait to hear what the filmmaker &amp; co. have to say about it. It can be a brilliant moment for an actor or an inspired shot selection; it varies. You go to the commentary after the movie and instead of talking about it they are babbling inanely about themselves or some general point they started five minutes beforehand and is totally unrelated to what is clearly an interesting moment in the film. Or, as has  happened, they just remain inexplicably silent. Sounds a bit odd, I know, but it has driven me batty on more than one occasion.</p>
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