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Review: The Loved Ones

by Charlie Wachtel | September 20, 2009

On Toronto’s Love-Affair with ‘Loved Ones’

It’s no surprise that Sean Byrne’s relentlessly blood-soaked The Loved Ones won the Cadillac People’s Choice Award at TIFF’s midnight screening. The young Australian writer/director has since been hard-pressed for free time as many in Hollywood have been vying for his attention.

After speaking with Byrne, I was able to get a sense of the way things were going with The Loved Ones. Byrne admitted that since the film’s premiere in Toronto, he has been making frequent trips to LA and has been invited to speak with top execs. On this particular trip, Byrne’s schedule has been tightly booked from morning until night on every single day thus far, including weekends.

For those who haven’t seen The Loved Ones, it is an indie-horror treat. Let’s just say, if Carrie from Carrie and Jigsaw from Saw “wanted to play a game,” this film would be the perfect compromise between their approaches. What results is an anti-John-Hughes film that offers a cynical, frightening re-imagining of a high-school prom.

The Loved Ones

Jessica McNamee in Sean Byrne's "The Loved Ones."

The film benefits from a cast which is in full-tune with its director. And unlike many horror films today, Byrne’s even has something to say. The film’s bizarre title provokes us to think about the consequences of unrequited love and, more importantly, the real victims. Of course life would be easier if anyone we fell in love with immediately felt the same way. But in The Loved Ones, love is played as more of a cruel game for all characters.

It may be a bit unusual for American moviegoers to see a horror film carried by actors who speak with Australian accents. Although Peter Jackson was able to earn instant cult-status with his blood-splasher Dead Alive through similar New Zealand accents. Jackson and Byrne already share some in common.

Like Jackson, Byrne seems to be fascinated with shock-horror, fantasy, and even the supernatural. There is also an indie feel to Byrne’s work reminiscent of Jackson’s earlier low-budget films. So long as the young and talented Byrne is making movies, he just might have to get used to spending more time in Hollywood than at home.

Charlie Wachtel is a Senior Writer for The FIlm Crusade and Founder of www.filmcrusade.com

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About Charlie Wachtel

Charlie Wachtel is a Senior Writer for The Film Crusade and Founder of www.filmcrusade.com. He can be reached at charlie@filmcrusade.com. To follow The Film Crusade on Facebook or Twitter, search "The Film Crusade."

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